The Gaslight Anthem Handwritten Leak

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1. The Gaslight Anthem Handwritten Youtube
2. The Gaslight Anthem Handwritten Review
3. The Gaslight Anthem Handwritten Release Date

The Gaslight Anthem – Get Hurt. 2012’s Handwritten. Get Hurt sounds like The Gaslight Anthem trying to figure out what kind of band they want to be.

The Gaslight Anthem Handwritten Youtube

In the case of The Gaslight Anthem, the answer is an unfortunate and resounding yes. On their fifth studio LP, Get Hurt, the quartet wander further into the realm of radio rock, evoking all the trite Mutt Lange-isms that come with that territory. Opener “Stay Vicious” actually pulls this off with its pounding metal intro and melodic verses, a total Def Leppard transition in the best way. But, man, are there a lot of overdubs on this album. Every instrument sounds like it was tracked 12 times, including Fallon’s vocals. Somebody (probably producer Mike Crossey) got crazy with the background vocals.

Where there should be rests in the melody, spaces for Fallon to take a breath before singing the next line, background vox are stacked to the point of annoyance. Rsa keygen. The production is excessive but somehow sterile — a dealbreaker for Get Hurt, which already suffers from some loudness compression issues. That’s all semantics in the face of the songwriting, which isn’t strong enough to overcome the album’s production.

The Gaslight Anthem Handwritten Review

When Fallon told that the album was “completely different than anything we had ever done before,” he was right: Forget what you know about The Gaslight Anthem. Every track here differs from the one before it. The title cut apes The National; “Rollin’ and Tumblin’” is post-grunge (in the worst way); “Red Violins” goes country. The diversity is admirable, but it makes for a disjointed record, and it’s not as if The Gaslight Anthem perform each of these varied styles exceptionally well. Fallon’s lyrics remain poignant and earnest, but it’s hard to concentrate on them with Crossey triggering so many instrumental flourishes. Change can be good, even necessary.

The Gaslight Anthem Handwritten Release Date

Change can also be awkward, as is the case with Get Hurt. The genre experiments don’t work, and the overblown production presents these efforts poorly, never adapting to whatever stylistic side road the band is going down. Get Hurt sounds like The Gaslight Anthem trying to figure out what kind of band they want to be. One thing is for sure: They don’t want to be the band they were before signing on that dotted line. Essential Tracks: “Stay Vicious”.